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    Ircam Tools 1.1 –下一代音频处理器。包含七个插件:Spat v3,Verb v3,Verb Session v3,HEar v3,TRAX Transformer v3,TRAX Cross Synthesis v3,TRAX Source Filter v3。

    Ircam Spat v3 –完整的室内声学模拟和本地化解决方案

    Ircam的声学和认知空间团队进行了十多年的研究,处于科学技术创新的最前沿,Ircam Spat v3是有史以来设计,用于室内声学模拟和定位的最先进,最复杂的工具,可同时管理空间(源定位)和室内声学模拟,以一种真正一致且视觉上合理的方式进行。

    Ircam动词v3 –室内声学和混响

    Ircam Verb v3是一种算法室内声学和混响处理器。它采用模块化结构,采用递归滤波混响引擎,可再现和合成任何空间声音环境的特定声学特征。

    Ircam动词会话v3 –终极会话混响处理器

    Ircam Verb Session v3基于广受赞誉的Ircam Verb v3算法房间声学和混响处理器所使用的相同先进技术,其模块化结构采用了递归滤波混响引擎,可再现和综合任何空间声音环境的特定声学特征,利用巴黎Ircam研发中心的声学和认知空间团队经过十多年深入研究的结果。

    Ircam HEar v3 –双耳编码工具

    Ircam HEar v3可通过一对常规立体声耳机忠实再现立体声或环绕声混音。它依靠成熟的技术来模拟通过扬声器系统播放音频材料时发生的各种现象。

    Ircam Trax Transformer v3 –实时语音和声波建模处理器

    Ircam Trax Transformer v3基于增强型相位声码器技术和最先进的转换算法,可以处理语音的特性,例如性别,年龄和呼吸以及任何其他声音;表情,共振峰和音调。

    Ircam Trax交叉合成v3 –频谱包络变形处理器

    Ircam Trax Cross Synthesis v3利用相位声码器(幅度和频率/相位频谱)来使两种声音的频谱特性发生变化。振幅和频率/相位频谱可以连续地混合,并且由于此处使用的功能是强非线性的,因此声音的变形也是非线性的,从而提供了一种创建各种新的令人兴奋和不寻常的声音效果的方法。

    Ircam Trax源过滤器v3 –增强的声音过滤处理器

    Ircam Trax源滤波器v3基于信号模型,该信号模型将信号分解为描述声音的能量/响度轮廓的时间包络,以及描述声音音色的频谱颜色的频谱包络。可以将源声音的能量轮廓和频谱颜色与任意过滤声音的频谱颜色和能量轮廓连续混合,从而进行转换,从而远远超出了更常见的源滤波器的变态效果。

    原文:

    Ircam Tools 1.1 – Next Generation Audio Processors. Contains seven plugins: Spat v3, Verb v3, Verb Session v3, HEar v3, TRAX Transformer v3, TRAX Cross Synthesis v3, TRAX Source Filter v3.

    Ircam Spat v3 – The complete Room Acoustics Simulation and Localisation Solution

    With more than a decade of research performed by the Acoustic and Cognitive Spaces Team at Ircam, being at the forefront of scientific and technological innovations, Ircam Spat v3 is the most advanced and sophisticated tool for room acoustics simulation and localisation ever designed, managing both spatialisation (source localisation) and room acoustic simulation in a truly consistent and visually logical way.

    Ircam Verb v3 – Room Acoustics and Reverberation

    Ircam Verb v3 is an algorithmic room acoustics and reverberation processor. It has a modular construction, employing a recursive filtering reverb engine, reproducing and synthesizing the specific acoustical characteristics of any spatial sound environment.

    Ircam Verb Session v3 – The Ultimate Session Reverberation Processor

    Ircam Verb Session v3 is based on the same fine technology used in the acclaimed Ircam Verb v3 algorithmic room acoustics and reverberation processor, with a modular construction employing a recursive filtering reverb engine, reproducing and synthesizing the specific acoustical characteristics of any spatial sound environment, developed utilizing the results of over a decade of intense research by the Acoustic and Cognitive Spaces Team at the Ircam R&D centre in Paris.

    Ircam HEar v3 – Binaural Encoding Tool

    Ircam HEar v3 provides faithful reproduction of a stereo or surround mix with a pair of conventional stereo headphones. It relies on proven technology to model the various phenomena that occur when playing back audio material through a loudspeaker system.

    Ircam Trax Transformer v3 – Real-time Voice and Sonic Modelling Processor

    Ircam Trax Transformer v3 is based on an augmented phase vocoder technology, and a cutting edge transformation algorithm, allowing for manipulating characteristic properties of a voice such as gender, age and breath, and on any other sound; expression, formant and pitch.

    Ircam Trax Cross Synthesis v3 – Spectral Envelope Morphing Processor

    Ircam Trax Cross Synthesis v3 utilizes a phase vocoder (the amplitude and the frequency/phase spectra), to morph the spectral characteristics of two sounds. The amplitude and frequency/phase spectra can be blended continuously and since the features that are used here are strongly nonlinear, the sound morphing is nonlinear as well, offering a way to create a wide range of new exciting and unusual sound effects.

    Ircam Trax Source Filter v3 – Enhanced Sound Filtering Processor

    Ircam Trax Source Filter v3 is based on a signal model decomposing the signal into a time envelope describing the energy/loudness contour of the sound, and a spectral envelope describing the spectral colour of the sound timbre. The energy contour and the spectral colour of the source sound, can be continuously blended with the spectral colour and energy contour of an arbitrary filtrating sound, allowing transformation that extend well beyond the more common source filter morphing effect.




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