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  • VST2+VST3+AAX

    从对自然环境的模拟,包括美丽的大厅,房间和房间,到经典的非线性和板式混响,Illusion合成了多种多样的空间,可与鼓,吉他,合成器,人声表演和管弦乐团无缝融合。

    幻觉带有200多种专业设计的预设,适用于各种乐器,包括鼓,吉他,人声和弦乐器。可以使用功能强大的直观控件集合来设计混响,包括先进的早期反射编辑器和后期混响衰减设计器。

    清晰反映质量

    幻觉的早期反射是使用高度先进的技术合成的,该技术与通常的扩散点延迟方法相去甚远。它的调制反射具有极好的清晰度和逼真度,没有任何不希望的着色,定相,折边或合唱伪像。

    可以自由选择接收器与光源的接近程度,并且可以轻松控制房间的反射率/吸收率。选择不同的反射模式有助于生产者快速试听不同的声学特性,从而快速找到最适合光源的材料。

    自然调制

    幻觉将多种运动效果融合到一个调制控制中,即光通量。在低设置下,完全调制的去相关混响的微妙美感可以与任何乐器或人声有机融合。将其调高一点,以获得更明显的空间调制,或者将其调到最大,以获得丰富的全合唱混响。或者关闭通量以获得完全静止的混响的纯度。它本身就是简单;选择全由您决定。

    丰富的混响尾巴

    无论您是需要稀疏而反射性的混响来增强清晰的人声表现的清晰度和空间,还是需要适合管弦乐队合奏的茂密,丰富而温暖的空间,Illusion都能合成出优美的静止或调制后的衰落,以适合任何音乐流派。

    Illusion具有高度的清晰度和真实感,其高级混响生成技术的集合在模拟几乎所有混响环境方面均表现出色。幻觉提供了对空间的感知大小,反射率,低端响应和多波段衰减率的强大而直观的控制。

    Illusion的高级算法旨在模拟:

    小型环境–适用于密密的密室和房间
    大型环境–适用于更宽敞的空间,例如教堂,大教堂和大厅
    经典板–重现经典金属板混响的独特色散和多频带衰减特性
    非线性混响–以经典的80年代打击乐而闻名(可作为早期反射处理器的一部分,与上述任意一种组合使用)

    强大的均衡

    模拟 早晚滚降滤波

    早期反射和后期混响模块都可以通过6至36 dB / Oct滚降的模拟样式滤波器进行调谐。这种灵活性水平很重要,因为当处理能力受到更多限制时,许多早期的混响设计倾向于使用非常浅的6或12 dB / Oct滤波器,而一些较新的混响的滚降幅度更大。

    数字线性相位滤波

    由于处理采样率低,1970年代和1980年代的经典数字混响通常具有非常有限的音频带宽。这为混响添加了非常有特色的声音,并且可以在幻觉中进行复制,以营造怀旧感。

    多功能反射,混响和主参数滤波

    对于每个早期和晚期模块,都提供了一个5频段的过采样均衡器,并提供了另一个5频段的主均衡器,用于控制整个混响音调。包括频谱分析仪以说明每个组件的频谱内容。

    精确的成像控制

    回声

    幻觉最多可提供三个与速度同步的反射,因此您可以设计具有多面区域的复杂,逼真的空间。

    预延迟

    通过完全控制早期和晚期速度同步的早期和晚期反射,幻觉具有强大的能力将混响与任何源材料放在一起。

    低频混响预延迟甚至可以链接到早期或晚期处理器。

    宽度

    创新的真正立体声宽度控制可以将您的混响从单声道变为最佳宽度的完全去相关的真实立体声图像,而不会出现任何相位或单声道兼容性伪影。

    R2R团队| 2021年1月10日| 33.9兆字节

    From simulations of natural environments including beautiful halls, chambers and rooms to classic nonlinear and plate reverbs, Illusion synthesises an incredibly diverse range of spaces that blend seamlessly with drums, guitars, synthesisers, vocal performances and orchestral ensembles.

    Illusion comes with over 200 professionally designed presets for a wide range of instruments including drums, guitars, vocals and strings. Reverbs can be designed using a powerful collection of intuitive controls including an advanced early reflections editor and late reverb decay designer.

    A Clear Reflection of Quality

    Illusion’s early reflections are synthesised using a highly advanced technique far removed from the usual diffused point-delay approach. Its modulated reflections have superb clarity and realism, absent of any undesirable colouration, phasing, flanging or chorusing artefacts.

    The proximity of the receiver to the source can be freely chosen, and the reflectivity/absorption of the room can be easily controlled. A selection of different reflection patterns is helps the producer quickly audition different acoustic properties to quickly find what best fits the source.

    Natural Modulation

    Illusion blends a multitude of motion effects into a single modulation control – flux. At low settings the subtle beauty of a fully modulated decorrelated reverb blends organically with any instrument or vocal. Push a little higher for more noticeable spatial modulations or take it right up to the max for an enriching fully chorused reverb. Or switch off the flux for the purity of a completely still reverb. It is simplicity itself; the choice is all yours.

    Rich Reverberant Tails

    Whether you need a reverb that is sparse and reflective to enhance the clarity and space of a delicate vocal performance or a lush, rich and warm space befitting an orchestral ensemble, Illusion synthesises beautiful still or modulated decays to suit any musical genre.

    With a high level of clarity and realism Illusion’s collection of highly advanced reverb generation techniques excel in the simulation of almost any reverberant environment. Illusion provides powerful and intuitive control over a space’s perceived size, reflectivity, low-end response and multi-band decay rate.

    Illusion’s advanced algorithms are designed to simulate:

    Small environments – for tight, dense chambers and rooms
    Large environments – for more spacious spaces such as churches, cathedrals and halls
    Classic plates – reproducing the unique dispersive and multi-band decay properties of classic metallic plate reverbs
    Nonlinear reverbs – famous for classic 80s percussion (available as part of the early reflections processor for combination with any of the above)

    Powerful Equalisation

    Analogue Early and Late Roll-off Filtering

    The early reflection and late reverb modules can both be tuned with analogue style filters ranging from 6 to 36 dB/Oct roll-offs. This level of flexibility is important as many early reverb designs tended to use very shallow 6 or 12 dB/Oct filters when processing capabilities were more limited, whereas some newer reverbs have a steeper roll-off.

    Digital Linear Phase Filtering

    Classic digital reverbs of the 1970s and 1980s often had very limited audio bandwidth due to low processing sample rates. This adds a very characteristic sound to a reverb and can be reproduced in Illusion for a hit of nostalgia.

    Versatile Reflection, Reverb and Master Parametric Filtering

    For each of the early and late modules a 5-band over-sampled EQ is provided, and a further 5-band master EQ is provided for control over the overall reverb tone. A spectrum analyser is included to illustrate the spectral content of each component.

    Precise Imaging Control

    Echoes

    Illusion provides up to three tempo-synchronised reflections so you can design complex, realistic spaces with multi-faceted areas.

    Pre-delay

    With full control over early and late tempo-synchronised early and late reflections, Illusion has powerful abilities to sit the reverb with any source material.

    The low frequency reverb pre-delay can even be linked to early or late processors.

    Width

    An innovative true-stereo width control can take your reverb from mono through to an optimally wide fully decorrelated true stereo image without any phase or mono-compatibility artefacts.

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